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Alex Paul Loza sculpting in studio 2025_

MONUMENT & SCULPTURE
PROCESS

From an idea in clay to a monument made to endure.

FROM VISION TO BRONZE

Every monument begins with a story. My process is collaborative from the beginning—developing the concept, researching the subject, shaping the design in clay, and working through each stage until the finished sculpture is cast in bronze and installed in it permanent home.

01

DISCOVERY & 
VISION

02

MAQUETTE & 
DESIGN APPROVAL

03

MONUMENTAL 
SCULPTING

04

CLIENT
REVIEW

05

MOLD &
BRONZE MAKING

06

PATINA &
FINISH

07

INSTALLATION
& UNVEILING

Thaddeus Stevens - black and white photo.jpg

01. DISCOVERY & VISION

Every commission begins with a conversation about the story, purpose, site, scale and goals for the project. Together, we discuss the people or history being represented, the intended audience and the ideas the finished work should communicate. This early collaboration establishes a clear vision and direction for the sculpture. 

Sculpting Thaddeus Stevens 4

03. MONUMENTAL SCULPTING

Once design is approved, a full-scale armature is constructed to establish the figure's proportions, anatomy and pose. Clay is then built over the structure and sculpted using the approved maquette, photographs and other reference material as guides. This is where the character, likeness and presence of the final sculpture begins to emerge.

Alex Paul Loza - Thaddeus Stevens maquette
Alex Paul Loza sculpting Thaddeus StevensG_edited_edited.jpg

02. MAQUETTE & DESIGN APPROVAL

A small clay study, known as maquette, is created to develop the pose, gesture and overall composition of the sculpture. This gives the client an opportunity to see the concept in three dimensions, provide feedback and refine the design before work begins at full scale. 

Thaddeus Stevens Society and Alex Paul Loza with life size clay model of Thaddeus Stevens_

04. CLIENT REVIEW

When the clay sculpture is nearing completion, the client is invited to review the work and provide final feedback. Proportions, likeness, detail and overall presentation can be refined during this stage. Once clay is formally approved, the sculpture is ready to move into mold-making and bronze production. 

05. MOLD & BRONZE CASTING

A silicone mold is made from the approved clay sculpture to capture every detail. A wax copy then created from the mold and coated repeatedly in a ceramic slurry and powder, forming a hard shell. The wax is melted out, leaving the ceramic mold into which molten bronze is poured.

Thaddeus Stevens - mold making
Alex Paul Loza at foundry approving Thaddeus Stevens wax cast before bronze casting
investment mold on Thaddeus Stevens by Alex Paul Loza
Steelworker At Foundry
patina on Thaddeus Stevens by Alex Paul Loza

MOLD MAKING

WAX CASTING

INVESTMENT

BRONZE CASTING

PATINA & FINISHING

06. PATINA & FINISHING

The bronze is assembled and refined before the final patina and protective wax are applied, giving the sculpture its finished character and color. 

07. INSTALLATION & UNVEILING

Lastly, the completed bronze sculpture is transported to its permanent location and carefully installed on site. Final placement and structural connections are coordinated to ensure is secure and presented as intended. 

The process culminates with the unveiling—when the finished work is revealed to the community and begins its life as part of the place and story it was created to honor. 

installation of Thaddeus Stevens monument in Gettysburg.jpg
covered Thaddeus Stevens monument ready for unveiling ceremony- Alex Paul Loza
Ross Hetrick and Thaddeus Stevens monument - unveiling ceremony.webp

Let's talk about the one you want to preserve.

EVERY MONUMENT BEGINS WITH A STORY

Alex Paul Loza Art, LLC

Monumental Sculpture & Public Art

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